Showing posts with label Sarva. Show all posts
Showing posts with label Sarva. Show all posts

Thursday, June 18, 2026

The Insult That Made a Killer Out of Sarva

 

Cover of Plogg #2 (November 1997)

“The Insult That Made a Killer Out of Sarva” appeared in the second issue (November 1997) of my small press comic, Plogg. It was the first of four appearances for Sarva and I hadn’t hit my stride yet with the character, so I’m a bit ambivalent about the results. I was using a different style and approach, somewhat cartoonish, simpler and less detailed, as my previous issue featuring May the Hyperborean had been. Also, I had grown up on superhero comics (as well as science fiction, monsters and fantasy) -- a far cry from the Sarva stories, which parodied the blaxploitation movies of the 1970s, so I was out of my element depicting a particularly rough neighbourhood known as “Hell’s Bathroom”.

A few readers wondered if Sarva was a prostitute. She wasn’t, and I was baffled by the question, since I didn’t even hint at anything of the sort. Perhaps it was the way she dressed, or the fact that the villain of the story, Pluto, called her “ho” on page two, first panel. He was simply hurling insults, a bully with a crass and limited vocabulary.

Sarva’s various speech patterns are affected, employed only when dealing with some of the characters she runs into, communicating on their own level. Otherwise, she’s far more articulate than the denizens of Hell’s Bathroom.

Of course, the basic plot follows that of the familiar Charles Atlas bodybuilding ad, “The Insult That Made a Man Out of Mac”, although Sarva’s revenge on the bully is a little more final than Mac’s fist in the face.

The Sarva stories were preposterous, as they were meant to be. The situations are absurd and the characters are grossly exaggerated caricatures. The slapstick violence is straight out of a Warner Bros. cartoon, and reactions to any bloodshed are either comic or apathetic. It’s no less fantastic and unrealistic than any superhero comic.

Shortly after publishing Plogg #2, I sent photocopies of “The Insult That Made a Killer Out of Sarva” to Players (a magazine geared towards black men, often compared to Playboy) for their consideration. I had one-panel gag cartoons printed in their magazine on two prior occasions, and tried to convince them that they needed a comics section. Well, it worked, but only for two issues. They serialised the Sarva comic in three-page installments before cancelling it halfway through the story. (It appeared in the February and March 1998 issues of Players.) It’s too bad. It was beautifully printed on thick, glossy paper, and I had spoken to the editor-in-chief on the phone. He was enthusiastic and wanted me to continue the series (I was already working on the next Sarva tale), which he hoped I would do in colour.

What went wrong? I’m not sure. The issue containing the first installment of the story devoted most of the editorial to it, part of which read “the writer, designer, artist, and conceptualist’s name is Richard Beland. Now, Richard is a brother…”

The editor surmised I was black, and I felt it would be unfair and dishonest to let him continue harbouring that assumption, so I called him immediately to correct him. He was surprised to learn that I wasn’t black, but he seemed to think it was inconsequential. We had a long conversation, mostly about the future of the series. However, after the second installment, I was given a contributor’s copy -- as well as a pink slip! It was a form letter, not addressing me by name but as “Dear contributor”, wishing me “good luck in all my endeavors.” I called the editor for an explanation, but he had no time to talk and merely wished me rotsa ruck publishing the Sarva stories elsewhere.

Perhaps the publisher felt that the magazine should be devoted exclusively to black voices. Perhaps they felt that Sarva’s pugilistic, pugnacious personality, and certainly her sometimes lethal methods of dealing with criminals was too violent (and gory), and not in keeping with the magazine’s values. Then again, it could be that the crass parodies of Archie Andrews (“Alfred E. Andrews”) and Jughead Jones (“Crackhead Jones”) were a lawsuit waiting to happen, though it’s doubtful that the publisher of Archie Comics even noticed.  Players folded in 2005.

If you’re curious about the name “Sarva”: While this story was a work in progress, I was having trouble coming up with a unique name; then one day I glanced at a record album leaning against the wall on the very desk I was working at -- a Sarah Vaughan record!

And now, without further ado (or adon’t), a comic that’s been mouldering for 29 years (as the crow flies)...


Insult pg1

Insult pg2

Insult pg3

Insult pg4

Insult pg5

Insult pg6

Insult pg7

Insult pg8

Insult pg9

Insult pg10

Insult pg11

Insult pg12


Saturday, April 05, 2025

Funk Rage

"Funk Rage", the third in the Sarva series, was featured in my small press comic, PLOGG #4 (November 2001).  In part, it was a parody of Marvel's Luke Cage character, who exploded on the scene early in 1972 in HERO FOR HIRE, during the height of the Blaxploitation genre.  Carl Lucas acquired bulletproof skin and super strength after participating in a scientific experiment gone haywire while in prison.  Taking advantage of these unexpected abilities, he smashes his way through a brick wall, and the escaped convict sets up his own business in New York City's Times Square district as a "Hero for Hire", under the assumed name of Luke Cage.  His office is above a repertory cinema, The Gem, operated by a young fella who went by the name "D.W.", after the famous director, D.W. Griffith.

For some reason the delirious powers that be gave the magazine a ridiculous new title, POWER MAN, with issue #17.  Why any person with a shred of dignity would walk around calling themselves "Power Man" is beyond me.  But one person really took umbrage at Cage's new moniker, a villain of the same name, who'd menaced the Avengers back in the '60s.  In POWER MAN #21, the villain challenges Cage over the right to the name.  Cage rearranges the poor fool's face -- destroying the Gem theatre for the umpteenth time in the process -- and on the last page of the story delivers a caution to his former namesake before he slips into unconsciousness:

"You can call yourself Spider-Man...you can call yourself the Invisible Girl...you can stick a flag in your navel and call yourself the Spirit of '76...but if you ever call yourself Power Man again...I will tattoo that name on your rib cage!"

The last page of "Funk Rage" was directly inspired by that little scene.

"Supermangle", a parody of a public service included in DC comics of the 1960s, appeared in PLOGG #3 (October 1998).

(See here for the 4th and last comic in the Sarva series, as well as a brief description of the character.)

Funk Rage page 1

 
Funk Rage page 2

Funk Rage page 3

Funk Rage page 4

Funk Rage page 5


Funk Rage page 6


Funk Rage page 7


Funk Rage page 8


Funk Rage page 9


Funk Rage page 10


Funk Rage page 11


Funk Rage page 12


Funk Rage page 13


Supermangle


Sunday, January 24, 2021

The Usual Gang of Idiots

"The Usual Gang of Idiots" was written and drawn in 2006, and appeared in PLOGG #5 (May 2007).  It was the last of four stories featuring Sarva.  There's not much to know about the character: she lives in the notorious "Hell's Bathroom" section of an unnamed city (I suppose I could have made up a name, like "Metropolis" or "Gotham City"); she can take care of herself; and, despite her hostile environment, she's optimistic, but not quite a Pollyanna.

A few notes: The title of the story is what the writers and artists at MAD magazine were called.  All of the comic book covers shown in the story are actual covers.  Where the boxes of valuable Golden and Silver Age comics left on the sidewalk came from, and who the doomsayer, Edgar Allan Burroughs, is, is revealed in the very last panel.  No, you haven't missed anything: I don't know who Mr Big Stuff is, either; but Sarva is always getting into trouble, so it doesn't surprise me that he'd want to deliver a warning to her personally.  The wrestlers got their gimmick -- chaining themselves together and calling themselves "The Defiant Ones" -- from the 1958 movie of the same name, starring Sidney Poitier and Tony Curtis as escaped convicts.  As for Lord Rathbone, he's just a maniac who's seen too many Johnny Weissmuller movies.

 

Usual Gang of Idiots, page 1

 
Usual Gang of Idiots, page 2

Usual Gang of Idiots, page 3
 
 
Usual Gang of Idiots, page 4

Usual Gang of Idiots, page 5

Usual Gang of Idiots, page 6

Usual Gang of Idiots, page 7

Usual Gang of Idiots, page 8

Usual Gang of Idiots, page 9

Usual Gang of Idiots, page 10

Usual Gang of Idiots, page 11

Usual Gang of Idiots, page 12